Monthly Archives: December 2010

Top 20 of 2010: 1. Sufjan Stevens – The Age of Adz

1. Sufjan Stevens – The Age of Adz

Sufjan Stevens - The Age of AdzThe Age of Adz might be Sufjan Stevens‘ career-defining moment – not because it’s better than his other albums, but because it’s such a bold move.

The album could have been another in a long series of brilliant but safe albums. Instead, Stevens took a completely unexpected dive into electronic music. His signature lush orchestrations are coupled with glitchy beats and pulsing rhythms.

“Impossible Soul” is the album’s 25-minute finale. The epic song captivates for its entirety, with building theatrics – electronic and orchestral – that eventually melt away, leaving just Stevens and his banjo.

The Age of Adz shatters the standards for Stevens and the entire indie genre. Artists don’t need to constantly reinvent themselves, but Stevens’ intense creativity has him standing alone.

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Top 20 of 2010: 2. Free Energy – Stuck on Nothing

2. Free Energy – Stuck on Nothing

Free Energy - Stuck on NothingYou could argue that the best music comes from the past, so it makes sense that nostalgia plays a big role in today’s music. Plenty of bands wear their influences on their sleeves, but Free Energy do it best.

Their debut album, Stuck on Nothing, features no interpretations or reinventions of classic sounds, just three- or four-chord riffs, big guitar solos and sing-along hooks. But Free Energy’s honest charisma and earnestness completely overrules all possible cheesiness and any chance of sounding like a bad cover band.

Singer Paul Sprangers seems to speak for a whole generation with unabashed lyrics like “Hey, we’re coming out. Kid across town, dream like there’s nothing to scream about.” Everything is so instantly positive, it’s nearly impossible not to sing along.

Stuck on Nothing feels classic. Some day, it’ll take its rightful place with Born to Run or Weezer’s Blue album, where youth never fades.

My Favorite Live Shows of 2010

I end up going to a lot of shows, but these were my 10 favorite of this year. The Hold Steady, Pavement and The Extra Lens/John Vanderslice link to bootlegs of the shows. If you have recordings of any of the others, I’d love to hear them.

The Hold Steady - Westcott Theater Poster

10. The Hold Steady with The Oranges Band – Westcott Theater – Syracuse, NY – April 10
The Hold Steady is always a great show. The speakers blare as singer Craig Finn drags his microphone stand back and forth across the sing. The crowd is always into it, and Syracuse was no exception, singing anthems like “Constructive Summer” and “Stevie Nix” at the top of their lungs.  The 24-song set is available for download at The Hold Steady Taped Show Archive.

9. Vampire Weekend with Beach House and Dum Dum Girls – Main Street Armory – Rochester, NY – September 10
The last time Vampire Weekend played in Rochester, they opened for Dirty Projectors and Yacht at the Bug Jar, which has a capacity of about 200. This year, they played Main Street Armory – which boasts a capacity of 6,500. I don’t think it sold out, but it was close. They put on a great, energetic show, but for my money, Beach House stole the show.

Pavement - Central Park Poster8. Pavement – Central Park Summerstage – New York, NY – September 23
Going to see the reunited Pavement in Central Park was a last-minute decision. My friend Zack had been mulling it over for a while, patrolling Craigslist for cheap tickets. He found some that, when you factor in overnighting them from Chicago, ended up being less than face value. Zack and I piled into his car with our friend Sam and made the six-hour drive to New York. We ended up being the first ones in the gate – front row, center. I left Central Park with a drum stick from drummer Steve West and “Gold Soundz” in my head for a week. You can download the show at nyctaper.

7. Gayngs with Glasser – Alfred University – Alfred, NY – October 1
Gayngs only played about 10 shows – ever. They played all the big cities – New York, Chicago, Boston… and Alfred, N.Y. Alfred was about a 20-minute drive from school, so I couldn’t pass up the chance to see Gayngs. The whole band dressed in white, played their whole album (plus a Sade cover) and did the strangest encore I’ve ever seen. After their last song, the band kept jamming, with members slowly trickling off stage, but a few even came back. I listened to “Relayted” nonstop for about a week after.

6. Titus Andronicus and Free Energy with Tropical Punk – Castaways – Ithaca, NY – August 25
This was the second time I saw Free Energy over the summer of 2010 – the first was with Mates of State. They were the real draw for me – catchy anthems like “Free Energy” and “Hope Child” – but I couldn’t help but get into Titus Andronicus after seeing their show. They played a blistering live set, starting with “A More Perfect Union.” Even though their songs are all pretty long, they never lost any steam.

5. The Extra Lens with John Vanderslice and Dan Mangan – Mercury Lounge – New York, NY – October 21
John Darnielle is both one of my favorite songwriters and one of my favorite performers for mostly the same reason – his gift with words. He tells the best stories – in song and on stage. If you listen to the recorded show, a good chunk of it is devoted to his musings between songs. His musical performance with Franklin Bruno as the Extra Lens was great, and his banter is some of the funniest I’ve ever heard.

Avett Brothers - State Theatre Poster

4. The Avett Brothers with The Low Anthem – State Theatre – Ithaca, NY – February 26
To get to this show, my girlfriend and I had to drive through a blizzard. In the two-and-a-half hour drive to Ithaca, we saw a car go off the road – and not much else besides snow. Even more stressful, the show was already sold out. I had requested tickets on the guest list (the perks of working as a music director) and was told they would be there – but that’s never a guarantee.  But we made it and the tickets were there. Both the Avett Brothers and the Low Anthem put on a great show. I’m already making plans to see the Avett Brothers when they play the Smith Opera House this February.

My Morning Jacket CMAC Poster3. My Morning Jacket and The New Pornographers – CMAC – Canandaigua, NY – August 28
Usually there aren’t many concerts close to where I live, but luckily CMAC in Canandaigua, N.Y. partnered with Bowery Presents to bring in some great shows. My Morning Jacket was one of the last shows of the summer concert season – I moved back to school a day late to see it. The New Pornographers (sans Neko Case, unfortunately) opened to a lukewarm crowd while the sun set. It was a good performance but seemed like the wrong setting. My Morning Jacket melted faces, though. The set was heavy, blurring the lines of psychedelic and folk rock. Even through the jams and extended guitar solos, the band was completely mesmerizing.

2. Of Montreal and Janelle Monae – Town Ballroom – Buffalo, NY – September 19
This show was the second in a two-day stint the weekend before my twenty-first birthday – I had gone to see Ra Ra Riot in Geneva the night before. I was completely unprepared for this show, though. First, Janelle Monae delivered a fantastic performance – covering ground in funk, soul, pop and hip-hop. Then, Of Montreal completely floored me. They played most of the songs from their latest, False Priest, and a few old ones like “She’s a Rejector” and “The Party’s Crashing Us.” Their performance was filled with dancing, actors dressed as animals, monsters or any number of things, and a giant feather explosion at the end. They ended the party with an encore of Michael Jackson covers.

1. The Flaming Lips and the Black Keys – CMAC – Canandaigua, NY – July 23
Flaming Lips - CMACThis was an easy choice for my favorite concert of the year. If you’ve ever seen the Flaming Lips perform, you’ll know why. The band starts their performance with singer Wayne Coyne rolling over the crowd in a giant space bubble, and it only gets better from there. They couple their performance with psychedelic lights, confetti explosions, dancing monsters and bears, and giant balloons that explode with more confetti. The Black Keys were an outstanding opener too. The show was unforgettable and easily ranks among my favorite concerts of all time.

Top 20 of 2010: 3. Tame Impala – Innerspeaker

3. Tame Impala – Innerspeaker

Tame Impala - InnerspeakerPsychedelic rock has been coming back in very small waves. MGMT abandoned the keyboards completely in favor of trippy surf rock, and the Flaming Lips have gotten continually weirder with every album. But neither band – nor any other – has mastered pure psychedelic rock like Tame Impala.

The Australian band’s debut, Innerspeaker, plays like a fuzzed-out acid trip. Vocalist Kevin Parker, who played most of the instruments on the album, sounds uncannily like John Lennon. But even at the peak of their drug use, the Beatles never got this “far out.”

Parker lays on thick, blown-out distortion on songs like “Desire Be Desire Go,” which disperses into echoed harmonies. “The Bold Arrow of Time” takes a bluesier angle, but Innerspeaker never loses its psychedelic edge. Although it was criminally overlooked, Tame Impala shouldn’t be missed.

Top 20 of 2010: 4. LCD Soundsystem – This Is Happening

4. LCD Soundsystem – This Is Happening

LCD Soundsystem - This Is HappeningThis Is Happening covers a lot of ground. Its nine songs clock in at over an hour total. Despite the length and repetition of most of the songs, they never wear. Main performer James Murphy shows effortless charisma in his roles as impassioned front man and musical genius. His mostly one-man show brings David Byrne to mind.

The album starts with “Dance Yrself Clean” – a nine-minute epic and possibly the best song of the year. It builds until it erupts with a drum fill, bursting into an irresistible synth-driven melody. Songs like “I Can Change” and “One Touch” fit the band’s classic sound, but others like “All I Want” show a slightly different one – softer and sweeter.

Murphy has said that This Is Happening might be the last LCD Soundsystem album. If so, there’s no better way for them to go out.

Top 20 of 2010: 5. Gold Panda – Lucky Shiner

5. Gold Panda – Lucky Shiner

Gold Panda - Lucky ShinerGold Panda’s debut album has no words, but somehow it tells the most complete story. Producer Darwin Panda – aka Gold Panda – doesn’t make music in the traditional sense but still creates vivid images – scenes of snowy cities (“Snow & Taxis”) or of Eastern culture (“Same Dream China”).

Gold Panda creates music like no one else, but it all comes with a sense of nostalgia. Lucky Shiner will change the way you think about electronic music.

Top 20 of 2010: 6. Janelle Monae – The ArchAndroid

6. Janelle Monae – The ArchAndroid

Janelle Monae - The ArchAndroidJanelle Monae’s debut album tells the story of her futuristic alter-ego, Cindi Mayweather. It runs through a whirlwind of genres – covering ground in R&B, pop, funk, rock and hip-hop. But despite the variety, The ArchAndroid plays cohesively.

Monae shows off immense creativity and skill – mastering multiple genres and molding them into her own style. Janelle Monae is no ordinary pop star, and The ArchAndroid has a universal quality. She offers something for everyone, making pop music interesting and enjoyable once again.

Top 20 of 2010: 7. Bruce Springsteen – The Promise

7. Bruce Springsteen – The Promise

Bruce Springsteen - The PromiseNormally, b-side albums don’t make my year-end lists. But The Promise isn’t really a b-side collection; it’s more like a lost album – 21 songs recorded between Born to Run and Darkness on the Edge of Town. It collects almost three albums worth of material.

The Promise isn’t just demo versions and outtakes either; these are brand new songs. What’s amazing is not only how much The Boss recorded and didn’t use, but how good the discards are. Songs like “Rendezvous” and “Ain’t Good Enough for You” sound like instant classics.

It’s been 30 years since Bruce recorded these, but nothing sounds dated. The Promise was definitely worth the wait.

Top 20 of 2010: 8. The Extra Lens – Undercard

8. The Extra Lens – Undercard

The Extra Lens - UndercardJohn Darnielle is best known as the primary force behind the Mountain Goats, but about eight years ago he made a record with Franklin Bruno under the name The Extra Glenns. This year, Darnielle and Bruno reconvened, changed their name to the Extra Lens and signed to Merge Records.

Undercard features some each member’s best work. Darnielle takes the primary role of lyricist and singer, but Bruno doesn’t just stay in the background. Songs like “Adultery” could double as Mountain Goats songs, but others like “How I Left the Ministry” and “Rockin’ Rockin’ Twilight of the Gods” feature stronger influences from Bruno. His playing really distinguishes the Extra Lens – setting it apart from the Mountain Goats. I hope we haven’t heard the last of this duo.

Top 20 of 2010: 9. Tallest Man on Earth – The Wild Hunt

9. Tallest Man on Earth – The Wild Hunt

The Tallest Man on Earth - The Wild HuntThe Tallest Man on Earth is really nothing new. Swedish musician Kristian Matsson sings while he picks the banjo and acoustic guitar, just like people have been doing for years.

But there’s something different about The Wild Hunt. Matsson’s stark folk music has such feeling in its echoing words and strums. Songs like “King of Spain” and “The Wild Hunt” are astonishing and irresistible no matter what mood you’re in.

Sure, folk has been done a lot, but Matsson makes it feel brand new. The Wild Hunt is like nothing you’ve ever heard before.