Monthly Archives: March 2011

Music To-Do List

I’ve been behind on new music lately. I’ve been listening to Kurt Vile’s excellent Smoke Ring For My Halo (which I reviewed for Verbicide) and The Dodos’ latest, but I keep getting sucked back into the classics – Neil Young, Howlin’ Wolf and The Beatles. That’s not a bad thing, but there’s so much I still want to listen to. That’s why I’m making a to-do list of music.

R.E.M. - Collapse Into NowR.E.M. – Collapse Into Now
As far as I’m concerned, R.E.M. has never put out a bad record, and based on the reviews its been getting, Collapse Into now might be their best in a decade. It could be another classic record from the Athens, Ga. group.

All Tiny Creatures - HarborsAll Tiny Creatures – Harbors
Hometapes might be the most underrated record label out there. They’ve got Megafaun,  Collections of Colonies of Bees, Bear in Heaven and Slaraffenland, among others. Each new release never fails to impress. All Tiny Creatures’ latest features guest appearances by Megafaun and Justin Vernon. And with a lineup featuring Collections of Colonies of Bees/Volcano Choir’s Thomas Wincek, Harbors shouldn’t disappoint.

The Strokes - AnglesThe Strokes – Angles
I gave Angles one listen and wasn’t terribly impressed. Don’t get me wrong, I like it, but it’s not groundbreaking in any way. My first impression is that it sounds more like frontman Julian Casablancas’ solo album than the gritty garage rock from Is This It? that I’m craving. Hopefully, it’ll grow on me.

Beach Fossils - What a PleasureBeach Fossils – What a Pleasure
Music is becoming saturated with lo-fi Brooklyn bands that sound pretty much the same. Beach Fossils has been one of the standouts of that scene. One of the tracks, “Fall Right In,” even features Wild Nothing. What a Pleasure should be a good listen.

Middle Brother - S/TMiddle Brother – S/T
In some ways, Middle Brother is a supergroup. Its three members are all in good bands, but their main projects aren’t as well known as they should be. John McCauley III fronts Deer Tick – probably the best known of the bunch. The other two members, Matthew Vazquez and Taylor Goldsworth, are members of Delta Spirit and Dawes, respectively. Middle Brother’s talent alone makes their debut promising.

Bibio - Mind BokehBibio – Mind Bokeh
You might have heard Bibio on the Amazon Kindle commercial. It’s the solo project of Stephen James Wilkinson, who plays an incredible array of instruments, some as non-traditional as a filing cabinet. Mind Bokeh might be the album I’m most excited to hear. He’s been known to readily switch from dreamy acoustic to dance music, all with incredible production. It could easily be one of the best of the year.

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Wanda Jackson – The Party Ain’t Over

Wanda Jackson - The Party Ain't OverJack White recently announced that the White Stripes have broken up. He still has two other bands – the Dead Weather and the Raconteurs – and he’s also been known to make solo recordings.

White may have another career as revivalist. In 2004, he produced Van Lear Rose, Loretta Lynn’s successful comeback album. White’s production and performance on the album helped bridge the gap to a younger, more mainstream audience.

This year, White produced a new album by another influential woman the music world almost forgot: Wanda Jackson.

Jackson, now 73, was known as the Queen of Rockabilly in the mid-‘60s before pursuing a career in more traditional country music. Today, she’s recognized mostly for her early influence, but the title of her new album says it all: The Party Ain’t Over.

Jackson recorded the album’s 11 tracks, all cover songs, in White’s Third Man Studio in Nashville. The Third Man complex is a bit like the studios of the 1950s. Its website boasts “a record store, record label, live venue, and one stop production house with a rehearsal and photo studio, darkroom, and production office and distribution center” – unheard of by today’s standards.

White’s ambitions to combine the new and old are obvious on The Party Ain’t Over. The tracklist includes a lot of classics, like “Rip It Up” by Little Richard, but it’s also got an Amy Winehouse song. The production focuses on Jackson’s distinct voice, slightly worn but incredibly punchy. She never lets her age show. She howls in her take on Bob Dylan’s “Thunder on the Mountain,” keeping up with White’s shredding solos and the wailing horn section.

Not all the tracks are as intense as “Thunder,” but Jackson’s handle on the music is equally as gripping throughout. The production lets Jackson’s nostalgia shine through but keeps the album firmly grounded in the 21st century.

Who will White help us rediscover next?

Going Home

Being home for a week made me realize just how much I’ve missed my record player. I listen to a lot of music, but it seems like it’s always paired with something else – work, studying, talking on the phone or walking. Vinyl makes me take the time to just sit and listen, though.

My record player

My record player is a little isolated. It’s in the room without the big TV or fireplace. It got little use before the record player. But now, whenever we’re home, my brother and I will sit in there for hours listening to records. Between the two of us, we have an incredible collection. I just bought my 300th album when I was home – well, I actually bought four, so I’m a little over that. My brother didn’t start collecting until last summer, but he already has a really good start. It’s hard when we go shopping together. The stores we frequent aren’t really record stores, they’re antique stores. And they have a very random supply. The only records we can ever find more than one copy of are Get the Knack and Billy Joel’s The Stranger (only one of which I own. Care to guess?). Our tastes are a little distinct, but we like a lot of the same music. Usually it’s whoever finds it first, gets it, but sometimes we can persuade each other to give up a few. But he’s still in school this week, so I feel a little anti-social sitting alone listening to my records. I like not having to let anyone else pick the records, though.

I went to our usual stores to look at records. It was a little strange going by myself, but I found a double LP containing Johnny Cash’s At Folsom Prison and At San Quentin – which my brother would’ve snapped up in a heartbeat. I also found two Ray Charles albums, Sweet & Sour Tears and Ingredients in a Recipe for Soul. At another store, I found Hearts on the Line, an album by the Burrito Brothers – after they dropped the “Flying” from their name and a sealed copy of Brian Eno’s More Blank Than Frank. I’ve listened to them all today. It’s hard to pick a best of the bunch, but it would probably be Johnny Cash or Ray Charles. The most interesting was definitely Brian Eno, though. I was startled and concerned when I dropped the needle and heard vocals. More Blank Than Frank is a compilation of Eno’s earlier works, before he really dove into ambient music. You can hear him start to progress toward that style, though.

Now that I’m back at school, I find myself with a stack of unlistened CDs. I listen to my headphones while I’m working on my master’s thesis – an integrated marketing communications plan for WSBU – which also explains the lack of posting lately. It gives me a little time to listen to music, but I’ve been ignoring new albums by The Dodos, Billy Joel, R.E.M., Black Joe Lewis and John Vanderslice.

Working at the radio station lets me hear a few songs from these, but I need to make time to enjoy albums as a whole.