Category Archives: Guest Blogging

Fiona Apple – “Every Single Night”

Fiona Apple - Every Single Night new single The Idler WheelFiona Apple’s first new song off her upcoming album, The Idler Wheel is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, is the studio version of the YouTube clips from her recent SXSW shows.

In the live performance of “Every Single Night,” Fiona clutches the air with her fingers. She closes her eyes and squeezes out all feeling inside her, almost doubling over toward the microphone. To her, singing live is the one moment where she doesn’t have to think about anything. “I’ve had the most wonderful moments of my life after singing… after a song ends, it like you’ve just woken up from a delicious nap and everything looks really bright and clear,” she said in an interview. “… and I’m looking around at my friends that I’m playing with, and they’re really really appreciating what I’ve got. You just feel so much. It feels so good.”

Every Single Night Fiona Apple performing

This idea of clearing the mind on stage is probably the opposite of what Fiona is singing about in “Every Single Night.” In this song, she sings “Every single night, I endure the flight of little whims of white flame, butterflies in my brain. These ideas of mine percolate the mind, trickle down the spine.” The lyrics are delivered confidently, as is her style, but she yearningly sings “I just wanna feel everything,” simply stating her wish.

The instrumentation remains light, so as not to distract from the poem. Slightly dissonant bells begin the song and carry throughout.  Vocals float over the repeating chord changes, but she experiments with percussion during the husky, military-like chorus. Soft fuzz blankets the track.

It should be interesting to see what Fiona does with percussion in the new album, out June 19 on Epic Records. Instead of relying on Jon Brion’s orchestral arrangements, like those on Extraordinary Machine, “Every Single Night” and “Anything We Want” (a new song performed at the Bowery Ballroom) includes more drums, mallet instruments and copper pipe. That’s right, copper pipe.

Enjoy “Every Single Night,” Fiona Apple’s first single since 2005. Lyrics after the break.

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Edward Sharpe and the Magnetic Zeros – “That’s What’s Up”

Edward Sharpe and the Magnetic Zeros - HereMy fondest memory in all four years of college was switching the music from the 2004 rap we loved reminiscing about to “Home” by Edward Sharpe and the Magnetic Zeros. It was midnight, and we had already been drinking PBR and Admiral Nelson for a few hours. Needless to say, we were feeling good. As I stood up from a DJ set at my computer, the whistling began and my lively friends pushed the coffee table aside. We danced around and sang as loud as we could for five minutes. We held hands, danced in circles and shouted with the music. I felt free as I twisted around, not caring about what I looked like.

The room was warm, but not because we set the thermostat too high, but because we moved together, sharing our joy and exuberance with each other. I felt such great companionship and love.

That’s what Edward Sharpe and the Magnetic Zeros’ music is all about. Love, freedom and joy. I could imagine the same moment happening with the band’s new track, “That’s What’s Up,” the second song from the upcoming Here, out May 29.

Jade and Alexander begin the track with a simple, retro-sounding melody. “I’ll be the church, you be the steeple. You be the king, I’ll be the people.” It wouldn’t be an Ed Sharpe single without an incredibly blissful, group-sung chorus. “You’ve got my love to lean on, darling, no matter what.” Despite the mix of instruments, the track is incredibly clear. A funky clavichord adds riffs in between phrases, an electric guitar solo seeps in halfway through, Jade’s confident vocals turn gospel and there’s even some whistling.

And then come the handclaps and pure joy – an a capella declaration of love, but not in a romantic sense. This love is all around and is shared with your friends. This is the love that Jade basks in. This is the warmth spread around my tiny apartment at midnight. “Love, it is our honor. Love, it is our all. Love goes on forever. Yeah, love, it is our home.”

Beach House – “Lazuli”

Beach House has a formula, and the Baltimore-based band isn’t doing anything to wander from it. Released yesterday as the second single from Bloom, “Lazuli” fits the mold.

The ingredients of a Beach House song:

  • A dash of solo drum loops
  • A layer of dreamy synths
  • A few breathy “huh, huh, huh’s”
  • Four minutes of Victoria Legrand’s smoky vocals
  • 32 bars of slide guitar
  • A gentle fade

Beach House - Lazuli - Record Store Day

Begin with a simple loop, either drums or a melodic pattern, and add it in increments of four bars. Once the meter and the mood are set, spread on the synths, toning down any percussiveness the loop had set. Blend in some vocals, not too high in the mix, but enough to add another layer to the song. This is the base. Gently fold in a lyrical melody and more guitar. Make sure neither flavor is emphasized too much. When you are content with the sound, begin to fade out. You may begin to fade as early as two minutes before the song ends.

“Lazuli” doesn’t stray far from this recipe. The beginning loop sounds like an ’80s video game and kind of vulnerable and transparent. Once drums and keyboards get involved, it fits right in.

Although a Beach House track might be predictable, the band has no reason to change their format. With three acclaimed studio albums under their belt, and another highly anticipated one on its way, why should they? Something must be working.

So would you mind passing another Beach House track this way, please?

Sub Pop will release “Lazuli” on 7″ blue vinyl on Record Store Day, April 21, and Bloom comes out May 15.

Emilee Lindner blogs at Summer in the City.

Paul’s Grandfather produce first full-length album

By Emilee Lindner

Paul's GrandfatherMany musicians are hasty to empty their pockets into recording and touring, but not Paul’s Grandfather. The all-female trio formed in Fredonia, N.Y., plans on “staying realistic.”

“We’re seeing where it goes,” says guitarist Becca Ryskalcyzk. “This isn’t our first rodeo.”

But this philosophy doesn’t stop them from continuing to make the music they’re made for –- simple, calm folk tunes focused on tight vocal harmonies.
Katie Preston, Karrah Teague and Becca finished recording their first full-length album “Sorry Lovers and the Living Lake” last spring with a senior sound recording major at SUNY Fredonia, where Katie and Becca recently graduated. Continue reading