Passion Pit at the Smith Opera House, Geneva, N.Y. — May 1, 2012.
Read my full review in the Finger Lakes Times:
Passion Pit at the Smith Opera House, Geneva, N.Y. — May 1, 2012.
Read my full review in the Finger Lakes Times:
Posted in Concert Reviews, Music Reviews
Tagged Finger Lakes Times, Geneva, Indie, Passion Pit, Smith Opera House
John K. Samson played a show at Mohawk Place in Buffalo on March 17.
Check out my review and photos on Verbicide.
Show Review: John K. Samson at Mohawk Place, Buffalo 3/17/12
Posted in Concert Reviews, Music Reviews
Tagged Buffalo, Concert Review, John K Samson, Mohawk Place, Verbicide, Weakerthans
10. Southside Johnny & the Asbury Jukes – Rochester Jazz Festival – Rochester, N.Y. – June 11
Southside Johnny may never have reached Bruce Springsteen’s level of success, but he still puts on a decent show. The Jukes aren’t exactly a “must-see” band, but their free show in Rochester was full of upbeat songs like “Talk to Me,” “I Don’t Want to Go Home,” and “Having a Party.”
9. So So Glos and Night Manager – Suffolk – New York, N.Y. – July 1
Night Manager’s record release show was a pretty small event, which was perfect. So So Glos headlined the show, featuring a slew of other bands. The sound system was questionable but certainly not the worst I’ve ever heard. So So Glos blistered through their set — fast and loud. They’ve played bigger shows, but I have to think that the ones in New York City dive bars are their best.
8. Nana Grizol and Defiance, Ohio – Community School of Music and Art – Ithaca, N.Y. – June 23
I used to love going to DIY shows, but I kind of outgrew the music. Nana Grizol is one of the few bands that brings back the feeling of youth and plays music I still love. Frontman Theo Hilton played a double set. He’s also in Defiance, Ohio, but Nana Grizol was still my favorite — full of wistful horns and sing-a-long lyrics.
7. Mountain Goats – Artpark – Lewiston, N.Y. – July 27
Honestly, the Mountain Goats should be much higher on this list. The band played an excellent set, full of John Darnielle’s stories and some of the Mountain Goats’ best songs, at Artpark. But headliner Bright Eyes was a big downer. Not only did Conor Oberst seem like he’d rather be anywhere else, their set was just lackluster. If the Mountain Goats had headlined, this might have topped the list.
6. Punch Brothers and Justin Townes Earle – Prospect Park – Brooklyn, N.Y. – June 30
This show was another case of “might have been higher under other circumstances.” I like Justin Townes Earle, but I was there to see Punch Brothers. They definitely didn’t disappoint. Chris Thile is one of the greatest mandolin players out there, and the rest of the band makes it look easy to keep up with him. They played some of their best originals and a fantastic cover of Beck’s “Sexx Laws.” JTE played a decent set but had a few setbacks — slowed down songs, no drummer and tempo problems. He played well, but the Punch Brothers set was too tight for him to follow. Had the order been reversed, it might’ve gone unnoticed. Still a great show, though.
5. Furthur – CMAC – Canandaigua, N.Y. – July 26
This Furthur show was my first live Grateful Dead experience. I had heard what to expect, mostly regarding the Dead Heads, but was still completely caught off guard. People watching alone might have been worth the price of a ticket. Even without the strange parade of people, Furthur’s performance was worth the money we paid. Their two sets were full of classics like “Truckin’,” “Uncle John’s Band” and “Dark Star,” plus the usual assortment of covers and rarer songs. It was the first of, most likely, many Furthur/Dead shows.
4. Free Energy with Sports – St. Bonaventure University – April 30
Free Energy was the last concert I booked at St. Bonaventure, and it couldn’t have gone better. The weather was beautiful (it was outdoors), and both bands definitely had good vibes. Free Energy is the only band I’ve ever seen that even comes close to how fun, laid back and genuinely happy Limbeck is. I got the band Sports from Rochester to open, and they were awesome. It was my third time seeing Free Energy, and this was probably my favorite. They played almost all of their songs, including a crowd sing-a-long of “Something in Common,” and a surprise cover of Tom Petty’s “I Won’t Back Down.” It was definitely a high point of my senior year.
3. Fleet Foxes – Mountain Park – Holyoke, Mass. – September 25
Is there a better band to see on the side of a mountain than Fleet Foxes? Doubtful. The setting of Mountain Park in Holyoke, Mass. was seemingly made for them. Their lush harmonies echoed beautifully off Mt. Tom, filling the unusually warm September air. Fortunately, with a small catalog, they played most of their songs, including my favorites like “Helplessness Blues,” “Montezuma,” “Ragged Wood,” “Mykonos” and “White Winter Hymnal.”
1. (tie) Elvis Costello – Kodak Hall at Eastman Theatre – Rochester, N.Y. – June 17
These top two shows are really a toss-up. Elvis Costello’s performance at the Rochester Jazz Festival was one of the best I’ve seen. His songs are great, but he still knows how to make it fun. I loved the Spectacular Spinning Songbook, and even though the set list was partly left to chance, the show was crammed with classics. Elvis and the Imposters ended up playing around 40 songs, including ”Radio, Radio,” “Alison,” “Pump It Up,” and the closer “(What’s So Funny ‘Bout) Peace, Love and Understanding.”
1. (tie) Avett Brothers with David Mayfield Parade – Smith Opera House – Geneva, N.Y. – February 20
My other favorite show of the year was the Avett Brothers, who will probably make this list every year they play near me. What made this sold-out show even better was that it was in my small city of Geneva, N.Y. We only get a few shows a year, and even fewer good ones. David Mayfield Parade opened and really got the crowd going. As always, the Avett Brothers played their hearts out — screaming and pounding their instruments. They have a charisma that few bands can capture. They don’t need anything fancy to boost their shows. They just give it 100% of what they’ve got, every time.
Posted in Concert Reviews, Music Reviews
Tagged Avett Brothers, David Mayfield Parade, Defiance Ohio, Elvis Costello, Fleet Foxes, Free Energy, Furthur, Grateful Dead, Justin Townes Earle, Mountain Goats, Nana Grizol, Night Manager, Punch Brothers, So So Glos, Southside Johnny & the Asbury Jukes, Sports, Top Shows of 2011
Close to 3,000 people gathered at Mt. Tom in Holyoke, Mass. on Sunday evening, September 25, 2011. Fleet Foxes were closing out Mountain Park’s concert season. Despite the forecast for rain, the night was warm and clear, with stars faintly visible above the stage.
Mountain Park was the perfect venue for the band. The scenery matched the imagery of their lyrics, largely based on the outdoors. “Come down from the mountain, you have been gone too long,” lead vocalist/guitarist Robin Pecknold sang on “Ragged Wood,” as if directly to the Holyoke crowd.
The band opened their set with “The Plains/Bitter Dancer,” slowly building with thick harmonies. Instruments like flute, double bass and mandolin made regular appearances throughout the set, helping recreate the majesty of their albums. While playing, Fleet Foxes were spot on. The massive crowd was quiet and intent, mesmerized by the sweeping harmonies and soft strums.
But between songs, the band fell silent. Long, awkward tuning breaks threatened to lose the crowd. Any other band might have lost them, but each song validated the pauses between them.
Highlights of the set included “Mykonos,” “Montezuma,” a medley of “White Winter Hymnal” and “Ragged Wood,” and the incredible bass clarinet solo in “The Shrine/An Argument.” They closed with “Grown Ocean,” the most intense song of the night, in which the pounding drums of J. Tillman completely took over. The crowd was silent during the a capella ending, completely enveloped in the song.
Pecknold returned to play a new song, “I Let You,” solo. After, he was joined by the rest of the band for “Sun It Rises,” “Blue Ridge Mountains,” and a finale of “Helplessness Blues.”
Even though their banter, or lack thereof, was awkward, Fleet Foxes’ musical performance more than made up for it. They’re still a relatively young band, recently thrust into the spotlight, complete with large venues. In time, perhaps with a few guitar techs, Fleet Foxes’ stage presence will be as perfect as their performance.
Posted in Concert Reviews, Music Reviews
Tagged Concert Review, Fleet Foxes, Holyoke, Indie Music, Mountain Park
Bright Eyes and the Mountain Goats played a free show at Artpark in Lewiston, N.Y. on July 27, 2011. I’d seen John Darnielle twice before (solo in 2009 and with The Extra Lens in 2010) but never with the Mountain Goats. No matter who was headlining, I would’ve made the trek to see them, especially for free.
The gates at Artpark opened a little after 4 p.m. Everything was running a little late, but we could hear the Mountain Goats soundcheck with “Quito.” By the time the show started at 6:30 there was a sizable crowd, but it wasn’t exactly packed. The stage was set up right on the edge of the Niagara River Gorge, with Canada in sight across the river. Continue reading
Posted in Concert Reviews, Music Reviews, Photos
Tagged Artpark, Bright Eyes, Concert Review, Lewiston, The Mountain Goats
Some time in the last few years, I got into the Grateful Dead. I could easily blame a few of my college friends, but I think Ryan Adams’ extended live jams bridged the gap for me.
I’d been debating whether or not to go see Furthur for a few months. It was a little on the pricey side ($30 just for lawn seats), so I held off. After getting some great advice on buying tickets at the gate (no Ticketmaster fee), I went for it at the last minute.
Because we’re low on cash, my brother and I went for lawn tickets. We found a spot at the very front of the grass, right behind an almost entirely empty section of seats. It was almost worth the ticket price just to people watch. We watched as every tie-dyed cliche walked by, each unique and weird in his or her own way. I even heard a man ask the security guard, “Where am I?”
The band opened with “The Golden Road.” Because we were so far back, we had to watch the giant screens. The camera work was laughable, especially during the first set. The people in the control room decided to focus largely on Bob Weir. While others were soloing, the screens just showed a tired-looking Weir playing rhythm guitar. It got better, and eventually we could see Jeff Chimenti’s impressive keyboard work and John Kadlecik’s amazing guitar solos. The first set was only 45 minutes long and seemed to have a train theme, featuring songs like “Tons of Steel,” “Big Railroad Blues” and The Clash’s “Train in Vain” (which isn’t really about trains).
After the first set, we snuck down to the empty seats. The second set was thankfully much longer, with most of the songs connected through jams. They started with “Truckin’” and segued into fantastic versions of “Smokestack Lightning” and the Beatles’ “I Want You (She’s So Heavy).” They played an 18-minute “Dark Star” into “Uncle John’s Band” and “Black Peter.” They played covers of “Gimme Some Lovin’” and “Going Down the Road Feeling Bad,” before closing with “And We Bid You Goodnight.” The encore, “Lazy River Road,” was great but felt out of place as the final song of the evening.
I completely understand how people can follow The Dead and Furthur around. Even after that impressive set list, there are still so many songs I’d like to hear. And because every night features wildly different songs, with few repeats, every show is unique. Unfortunately, I’ll probably have to wait until next summer.
Posted in Concert Reviews, Music Reviews
Tagged Bob Weir, Canandaigua, CMAC, Concert Review, Furthur, Grateful Dead, Jeff Chimenti, John Kadlecik, Phil Lesh, The Grateful Dead
The So So Glos are probably best known for founding (and living in) two Brooklyn venues, the now-closed Market Hotel and Shea Stadium. But despite, or maybe because of, their underground status, playing tiny shows all around the city, they’ve earned quite a bit of respect. They’ve played with Titus Andronicus, The Pogues, ..And You Will Know Us By the Trail of Dead, Black Lips, Matt & Kim and The Futureheads. They’ve even been voted the “Best Band in New York City” by NY Press.
The band played a free show at the Suffolk in Manhattan on July 1. It was the record release show for Night Manager, who played before the So So Glos. There was even free beer right before their set, which amounted to one can of PBR, but I can’t complain. They played a tight set of dreamy garage pop in the vein of Best Coast or Vivian Girls. While I’ve quickly tired of those bands, Night Manager sounded fresh and fun, and not the least bit repetitive or stale.
After Night Manager, the So So Glos set up in the small stage(less) space. They ripped through songs like “Throw Your Hands Up” and “My Block” with all the grit of early Clash. They claimed to be unprepared but it never showed. Prepared or not, the So So Glos were completely in their element playing to a small crowd in a dive bar. They urged the crowd to dance during “Fred Astaire” and it’s similarly subjected “Lindy Hop.”
I’m not sure what it’d be like to see the So So Glos playing bigger venues. They thrive off the energy of a small crowd. But it can’t be far off. With a new release or two, they’ll be making a name for themselves outside of New York. My advice: see them now.
Posted in Concert Reviews, Music Reviews
Tagged Concert Review, New York City, Night Manager, So So Glos, The Suffolk
Celebrate Brooklyn!, a free summer concert series in the borough’s Prospect Park, had a great double bill for their June 30 show: Justin Townes Earle and Punch Brothers. I’d been dying to see Punch Brothers, so I couldn’t pass up the opportunity to see them for free while I was in New York.
The five “Brothers” – Chris Thile (mandolin), Gabe Witcher (violin), Noam Pikelny (banjo), Chris Eldridge (guitar) and Paul Kowert (bass) – are probably the tightest group of musicians I’ve ever seen. All five are nothing short of virtuosos and make even the most complex bluegrass look entirely effortless (all while wearing suits and ties).
Their brand of bluegrass is completely accessible without being watered down, incorporating bits folk and occasionally dipping toward classical music (like the forty-minute, four-movement “The Blind Leaving the Blind”). Their set featured covers of Gillian Welch (“Wayside/Back in Time”), Josh Ritter (“Another New World”) and The Band (“Ophelia”). They even did their own rendition of Beck’s “Sexx Laws,” which frontman Thile introduced by joking that the band likes to incorporate current events into their shows. The rest of their set comprised songs like “You Are,” “Alex” and part of “The Blind Leaving the Blind.” They closed their set with “Rye Whiskey,” as the sun was just about set.
Justin Townes Earle was in the unfortunate position of having to follow Punch Brothers. I enjoyed Earle, but it was a little like Anne Murray having to follow Bruce Springsteen (his last ever show as support act). OK, it wasn’t that drastic. Earle wasn’t even close to getting booed off the stage but he didn’t play like a headliner.
With no drummer, the songs were significantly slower than the album versions. He and his band (upright bassist Bryn Davies and an additional guitarist) also seemed to have trouble keeping time. Earle would count off the songs and start playing, only to slow down a few bars later.
Earle didn’t really take command of the stage until the other musicians briefly left the stage. He did a blistering solo cover of Lightnin’ Hopkins’ “I Been Burnin’ Bad Gasoline.” Later, he and his band also covered The Replacements’ “Can’t Hardly Wait” and Bruce Springsteen’s “Racing in the Street.” They finished with “Harlem River Blues,” which, like most of the other songs, was good but lacked the oomph it has on the album. Earle came back to play a quick, one-song encore before curfew. It was enjoyable, but Punch Brothers definitely stole the show. It would have been nice to see them close out the show and play a little longer.
Check out more of David Andrako’s photos from the show at BrooklynVegan.
It’s been a long time since I’ve been to a D.I.Y. all-ages punk show. But I just couldn’t resist seeing Nana Grizol again. The Athens, Ga. band has been a steady favorite since I saw them on the Elephant 6 Holiday Surprise Tour in 2008. Both of their albums Love It Love It and “Ruth” are highly suggested. I caught the last night of the short tour in Ithaca, N.Y.
In addition to Nana Grizol and Defiance, Ohio, there were two solo acts on the bill: Your Heart Breaks and Toby Foster. Both were pretty good, but I think I’ve outgrown that type of music, so I won’t spend much time on them.
Foster, playing a twelve-string guitar with six of the tuning pegs ripped out, was less awkward than Clyde Petersen (Your Heart Breaks). He left the most of the talking to his songs. His last, “Tennessee,” was the definite highlight. Petersen, the first act, rambled a bit between songs, but had some interesting stories. His extremely straightforward lyrics sound a lot like those of his friend Kimya Dawson.
Nana Grizol, although higher on the bill, played in between the two. This was most likely to give frontman Theo Hilton a break before his set with Defiance, Ohio. In contrast to the solo guitar of Foster and Your Heart Breaks, Nana Grizol had guitar, bass, two drum sets and horns. The crappy, buzzing PA system that couldn’t get the levels exactly right was nostalgic and almost charming in a way. Despite not sounding crystal clear, the young crowd still sang along to most of Nana Grizol and Defiance, Ohio’s sets.
Nana Grizol rocketed through a set that included “Galaxies,” “Cynicism,” “Tiny Rainbows,” “Blackbox,” “Voices Echo Down Thee Hall” and “Circles ‘Round the Moon.” Defiance, Ohio’ s set was a little longer and featured songs like “The List,” “Oh Susquehanna” and “Trip and Stumble.”
Members from all four bands (Theo Hilton, Toby Foster, Clyde Petersen and Ryan Woods) just collaborated on a great album available here from Talking Helps Records. Also, if you haven’t listened yet, all of Defiance, Ohio’s albums are available for free on their website.